A single figure traverses the space, composing a choreography of gestures, poses and instantaneous dances. It is a romanticism of the beginning, an original motion that takes shape at the very moment it happens. Her presence is placed entirely in the sentimental, choosing to expose herself with an open and disarmed gaze to the tensions that inhabit the boundary between private and public, accessible and forbidden, sweetness and despair. In this choreographic practice, the body declares a boundless confidence in the politics of movement itself, in its simple free and manifest occurrence as an intimate and creative resistance, a space of emergence and radical exposure against the death and aridity of the world.