Immersed in an ever-renewed recursiveness, the bodies outline forms that find no concreteness, movements that draw the transition between movement and energy, in an exponential crescendo of planes of intensity, repetition, accumulations and variations.

Between darkness and light rays, the dance is composed in a light script, maintaining a register that is still suspended, elusive. The sound carpet originates from the application of the concept of solar vibration/pulsation to the acoustic matter, in a dynamic of continuous growth and expansion, capable of maintaining a strong relationship with the bodies of the dancers, borrowing and amplifying their rhythms and counter-times.